Negative
There has been equally vehement opposition to Hirst's work. Norman Tebbit, commenting on the Sensation exhibition, wrote "Have they gone stark raving mad? The works of the 'artist' are lumps of dead animals. There are thousands of young artists who didn't get a look in, presumably because their work was too attractive to sane people. Modern art experts never learn."[86] The view of the tabloid press was summed up by a Daily Mail headline: "For 1,000 years art has been one of our great civilising forces. Today, pickled sheep and soiled beds threaten to make barbarians of us all." The Evening Standard art critic, Brian Sewell, said simply, "I don't think of it as art ... It is no more interesting than a stuffed pike over a pub door. Indeed there may well be more art in a stuffed pike than a dead sheep."[86]
The Stuckist art group was founded in 1999 with a specific anti-Britart agenda by Charles Thomson and Billy Childish;[87] Hirst is one of their main targets. They wrote (referring to a Channel 4 programme on Hirst):
The fact that Hirst's work does mirror society is not its strength but its weakness – and the reason it is guaranteed to decline artistically (and financially) as current social modes become outmoded. What Hirst has insightfully observed of his spin-paintings in Life and Death and Damien Hirst is the only comment that needs to be made of his entire oeuvre: "They're bright and they're zany – but there's fuck all there at the end of the day."[86]
Tuesday 26 April 2011
Tuesday 12 April 2011
Subscribe to:
Posts (Atom)